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Title: | Seema Raja Full Movie In Tamil Hd Download |
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Year: | 2018 |
Duration: | 00:06:09 |
Type of File | Audio MP3 |
Seema Raja Full Movie In Tamil Hd Download title/name of Song / Music / Video is delivered from Youtube and maybe containing a video's copy right. This web just only a search engine media, not a storage or cloud server from the file. We just linked the file or embed from Youtube then display them here to make visitor easy to find it. Moreover, We do not host Song: Seema Raja Full Movie In Tamil Hd Download mp3.
Download Seema Raja Tamil Full Movie Downloading Song Mp3. We don't upload Seema Raja Tamil Full Movie Downloading, We just retail information from other sources & hyperlink to them. Watch Seema Raja Tamil Full Movie Downloading song video from here also. Each of the rights over the tunes would be the property of their respective owners. Download mp3 Seema Raja Tamil Full Movie Downloading free!
Title: | Seema Raja Tamil Full Movie Downloading |
---|---|
Year: | 2018 |
Duration: | 00:06:09 |
Type of File | Audio MP3 |
Seema Raja Tamil Full Movie Downloading title/name of Song / Music / Video is delivered from Youtube and maybe containing a video's copy right. This web just only a search engine media, not a storage or cloud server from the file. We just linked the file or embed from Youtube then display them here to make visitor easy to find it. Moreover, We do not host Song: Seema Raja Tamil Full Movie Downloading mp3.
Seemaraja - Has his moments
The first half though giving a been there seen it all feeling is quite entertaining with the right mix of all the commercial masala elements of comedy, romance and some mass buildup moments.
Sivakarthikeyan and Ponram along with Soori and D.Imman have given two rural entertainers 'Varuthapadatha Valibar Sangam' and 'Rajini Murugan' . Is their third collaboration 'Seemaraja' one step higher in its colorful entertainment and engagement factors as promised by them remains to be seen.
Seemaraja (Sivakarthikeyan) is a youth who belongs to a royal jameen family who loiters around with his friend Mathsu (Soori) an accountant for namesake. He falls in love with the local silambam wielding PT eacher Suthanthira Selvi (Samantha) and dons various getups to woo her. There is the arrogant Kaleeshwari (Simran) and her husband Karikadai Kandan (Lal) who harbor enemity on the hero and vow to finish him off. The rest of the story is the cat and mouse game between the two warring parties with the usual twists and turns and how the Seemaraja emerges the victor.
Sivakarthikeyan has grown leaps and bounds as far as handling the mass hero role with ease and cleverly making sure to crack self deprecating jokes on himself. His chemistry with Soori brings laughs every time the two appear on screen together. Siva also shines in the romance portions with Samantha especially when he tries to woo her in different avatars and gets disappointed when they dont work. The best surprise in this film is of course the ancient King get up where Siva's demeanor and Tamil diction are impressive. Samantha in a rare rural role looks very pretty and her expressions are apt in all her scenes. Watch out for her silambam show which gets the applause in the climax. You have seen Simran as an eternal beauty so far but kudos to Ponram for bringing out the hitherto unknown dark side of her. Here' s to the freakin weekend 2017. She excels as Kaleeshwari and is a worthy opponent for the hero though at times the voice actor dominates. Soori after a gap is back to form in his trademark brand of comedy which works in most of the scenes with the cheetah sequence taking the cake. It is amazing to see him sporting a six pack but the effort could have been complimented better in the scene. Keerthy Suresh puts in a special cameo appearance as the ancient queen but does not have the scope to make any impression. Napolean as the hero's father and Lal as the fuming villain are apt. Manobala in his brief appearance is funny while Mottai Rajendran is wasted. The actor playing the sidekick of the villain scores the best laughs in the film and it is commendable the way he delivers his dialogue deadpan.
The first half though giving a been there seen it all feeling is quite entertaining with the right mix of all the commercial masala elements of comedy, romance and some mass buildup moments. The director has cleverly embedded current politics in his screenplay like justifying the protesting nature of Tamils and warning against threats for the language and culture coming from the 'North'. The deep insight into the ancient Tamil weapon 'Valari' is well documented.
On the downside the second half takes a nosedive and sadly the most expected historical portion is placed at a wrong moment in the screenplay robbing it off its value. Siva is already shown as a capable fighter in two sequences in the first half and the question arises where the need for inspiration from his forefathers arise to manage the climax fight. The computer graphics both in the cheetah and the period sequences are found wanting. The story narration goes on in circles and never moves forward. Compared to 'VVS' or even 'Rajini Murugan' the entertainment and engagement factors are a notch lower.
D.Imman's lilting melodies punctuate the narration with 'Onnavitta yaarum' getting top honors and his background score as usual is a big plus. Balasubramaniam's camera takes in all the colors and presents it to the audience as a visual treat. Art director T. Muthuraj is another backbone for this film with his market and palace sets impressing the most Vivek Harshan's editing is slick and keeps the film at a lively pace. Ponram has taken his usual template and added a historical portion to emphasize his point but it has to be said that on the whole it does not match up to his previous two films. 24 AM Studios has left no stone unturned to provide the highest quality production values to the film.
Verdict : Give the Seemaraja a thumbs up if you are looking for a light entertainer in the familiar Sivakarthikeyan-Ponram territory.
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Seema Raja Review: Seemaraja marks third collaboration with director Ponram, and compared to their previous films, it shows some ambition – in terms of scale, visuals and mostly importantly, in turning its star into a mass hero. We get to see Sivakarthikeyan getting a ‘mass’ introduction, where he crashes open the gates, and kicks up a storm while beating the bad guys, speaking punch dialogues dressing up like Rama, supporting farmers, and invoking seemingly modest comparisons with Rajinikanth, Vijay and Ajith. We even get a line telling him that he should next plan his political entry.
The actor plays Seemaraja, the heir of royal family of Singampatti. But the character is pretty much the same as what we have seen him play so far – an aimless youngster whose only activities are building up his image with sidekick Kanakku (Soori, who gets to showcase his six-pack abs) and people and wooing Sundhanthira Selvi (Samantha), a teacher. Selvi belongs to Puliyampatti, a rival village, where Kaathadi Kannan (Lal, typecast) and his wife and partner-in-crime Kaaleeswari (Simran, whose dubbed voice feels odd) hold fort. Their modus operandi involves forcing the villagers to give up their land for windmill projects. How Seemaraja foils their plan and saves his land and people – while also learning about the illustrious past of his family – is what forms the plot.
Where Seemaraja impresses is in a brief flashback portion that tells us about the valour of Kadambaveera Raja (Sivakarthikeyan), an ancestor of Seemaraja, who fought against Allaudin Khilji’s army headed by Malik Kafur. There is a sense of spectacle in these scenes and the film also smartly weaves in a statement that holds contemporary relevance – about how If we allow an anniyan (read north Indian) to rule our Tamil land, hewill force us to forget our language and culture.
But otherwise, the film is like most of Sivakarthikeyan’s other films – the romantic portions have that element of stalking, for which the star has come in for criticism even earlier, and comic portions with Soori, which feel like an extension of what the duo has given us in their previous films. A stretch where they try to pass off a dog (named Tiger) as a leopard is amusing.
In a self-referential moment in the film, we have Sivakarthikeyan singing in his opening song, “Aracha maava arachaalum adhukkum venum oru therama”. Agreed, it does take some talent to repeat the same thing again and again. But, for a moment, let’s think from the point of view of the consumer of this “aracha maavu”. At one point, he/she is going to get fed up. And Seemaraja feels like that threshold moment for Sivakarthikeyan’s films. No wonder you feel like reciting a countering lyric: “Aracha maava arachaalum adhukkum venum oru poruma”.
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